Das Haus Dazwischen

A Folk Play

Book by Marcellus Schiffer and Felix Joachimson – Music by Mischa Spoliansky

TIMEFRAME: since 2021

Das Haus Dazwischen explores the gentrification of small and medium enterprises within Berlin. Despite its relevance and parallels between 1920s Berlin’s housing shortage and today’s crisis, this play has not been performed since its premiere—truly a rediscovery. Though modern Berlin markets itself as an international art and culture hotspot, venues like clubs, bars, and independent theaters are threatened with displacement. We transpose this theme into those artistic spaces: these “houses in between” struggle to survive in a booming capital under capitalist pressures.

The libretto follows clockmaker Knorr, who lives and works with his wife and seven children in the “house in between.” The investors behind the newly built “City Palace” next door want to buy his property to expand their establishment, using every tactic to persuade the stubborn Knorr to sell. In our adaptation, the threatened house’s owner is the artistic director of the independent theater Acker Stadt Palast, along with his ensemble. Will he yield to the investors or stand his ground?

DURATION: 2h

Anna Weber
ARTISTIC DIRECTOR & DIRECTION
Henning Wölk
MUSICAL DIRECTION & ARRANGEMENT
Ana Edroso Stroebe
DRAMATURGY
Anna Edroso Stroebe & Anna Weber
TEXT ADAPTATION
Konrad Walkow
SET DESIGN
Mayan Tuulia Frank
COSTUME DESIGN
Finja Messer
PRODUCTION MANAGER
Elisa Künast
DIRECTOR’S ASSISTANT
Meike Onnen
SET & COSTUME ASSISTANT
Ludwig Obst
TENOR (Knorr)
Ferdinand Keller
TENOR (Mathilde/Kuno)
Caroline Schnitzer
MEZZO-SOPRANO (Barbara)
Gina May Walter
SOPRANO (Investor Atlas)
Janneke Dupré
SOPRANO (Investor Stichel)
Ekaterina Bazhanova
MEZZO-SOPRANO (Investor Willi Kubus)
Viktor Wolf
SAXOPHONE
Franka Herwig
ACCORDION
Foley Carvalho
DOUBLE BASS
Evi Filippou
DRUMS
Henning Wölk
PIANO

A production by Anna Weber & Team in cooperation with tutti d*amore, Acker Stadt Palast Berlin, and Theaterhaus Mitte. Funded by:

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Das Haus Dazwischen scene


Das Haus Dazwischen scene


“It is this coherent stage rhythm and precise timing that give the production its vitality and wit.”

“By closing night, the audience was quick to embrace this work, unseen in nearly 90 years.”

– Konstantin Parnian, Neue Musikzeitung


Das Haus Dazwischen scene


“The production also works because the actors perform with incredible verve—it’s a joy to watch.”

“This offbeat Das Haus Dazwischen reminded me that there are enough young performers today who can translate the required style with contemporary artistic means.”

– Dr. Kevin Clarke, Operetta Research Centre

Das Haus Dazwischen scene


Das Haus Dazwischen scene


© Cornelius Reitmayr